The Audemars Piguet Royal Oak and its famous octagonal case and incorporated arm band need no presentation. It is perhaps the most famous watches of the business and the one that started the “Luxury Sports Watch” idea ( and its resulting notoriety ). This watch has been returned to in many versions, complications and materials. Ceramic, a stylish and present day composite, likewise made it to the RO, in black . As of late, the brand presented another adaptation of the Royal Oak Perpetual Calendar in white ceramic. Intense isn’t enough any longer to qualify this watch… Controversial without a doubt, however that doesn’t mean it isn’t desirable.
Before we even beginning looking at this watch, it must be said: this watch isn’t made for the general population. Not on account of its excessive cost or due to its shortage, but since of its uncompromising looks. It won’t appeal to an enormous crowd, it will presumably be despised by a few and then again, it will be wanted by a couple. As it were, this is a positive comment, since it shows how Audemars Piguet dares to dispatch sectioning, passionate items. Love it or scorn, however you can’t deny it makes an impact.
Ceramic is as yet a serious deal for the Royal Oak
In 2017, only in front of the SIHH, Audemars Piguet presented its first full-ceramic Royal Oak model, with a perpetual calendar . Some will contend, as it should be, that it was a long way from being the primary watch fabricated completely in ceramic… Rado and Chanel had utilized ceramic among others. In any case, you need to consider one thing with regards to the Royal Oak; the sharp state of the case and its complex wristband. Things abruptly turned into much more complex.
The first full-ceramic Royal Oak depended on the slim and complex QP model and was altogether black. At the point when we presented the model in 2017, we composed: “Beyond the cutting edge black style, ceramic is probably the hardest material used to make cases yet it is likewise light and wearable. The expressed point by Audemars Piguet is to complete its ceramic case and arm band to a similar norm as that of a steel Royal Oak. Not a simple accomplishment using any and all means, and one that was just made conceivable following 600 hours of R&D. The completing of the arm band alone requires 30 hours, which is multiple times longer than for the steel version“.
Manufacturing a case in ceramic is presently completely leveled out. Nonetheless, an arm band like the one utilized on the Royal Oak is much more complex particularly if the point is to accomplish a similar completing and quality found on a steel model with its super sharp features, cleaned slants, explained interfaces and brushed surfaces. Each connection of the arm band is exceptional in size and width… “This doesn’t make fabricating simple and this is a further exhibit of the brand’s ethic of no-compromise – particularly when you realize the various advances engaged with creating ceramic parts,” said Xavier back then.
The Royal Oak Perpetual Calendar White Ceramic
Moving from black ceramic to white ceramic doesn’t improve on the assembling cycle, so for this part, this form remains similarly difficult to deliver. What’s more, no discussion either on the general nature of the watch: it is wonderfully executed, exact, sharp, itemized. Be that as it may, you wouldn’t expect whatever else from Audemars Piguet.
This Royal Oak Perpetual Calendar White Ceramic was presented (and accessible) just before summer, which obviously suits the idea driving this watch. New, brilliant, glowing, practically nautical with its dark blue dial, it is effective, not particularly attentive – however let’s be straightforward, that wasn’t the goal here. This watch is a talking piece, a watch for the individuals who as of now have many different watches and who need something other than what’s expected and trying. That is all. The Royal Oak has never been a traditionalist watch, and this white ceramic model is by a wide margin (and deliberately) one of the most un-regular models.
White isn’t a shading that we regularly see for cases. We’re used to white metals without a doubt, yet white is undeniably more brilliant and splendid, and ceramic doesn’t have similar sparkle and reflections as metal and has a uniform, somewhat matte tone. When the initial introduction is gone – this watch truly establishes a solid connection the first occasion when you tie it – this outcome is a fairly intriguing, strange watch with its very own character. Likewise, the dial has definitely more differentiation in this setting than with some other watch.
With its easygoing, lively, summery look, this Audemars Piguet Royal Oak Perpetual Calendar White Ceramic has presence and a specific polish. Not the watchful style of a Calatrava, but rather an alluring, enrapturing class. Being amazingly strong, scratch-safe and light, ceramic methods you can quit stressing over destroying the surface with scratches and make the most of its lightweight perfect white personality.
For this version, Audemars Piguet went for an exemplary blue “grande tapisserie” dial (delivered in-house) with silver differentiating sub-dials. The white engravings and the white brilliant material in the hands and files coordinate the white case impeccably. The presentation is equivalent to all Royal Oak Perpetual Calendars, with the surprising sign of the week number on the inward spine. Day, date, month, jump year and a moon stage (laser microstructured on a shimmering aventurine foundation) complete the QP complication.
Powering this Audemars Piguet Royal Oak Perpetual Calendar White Ceramic is the type 5134, much the same as its steel or gold kin. This super slim (4.31mm) programmed development is 29.00mm in breadth and has a 40-hour power hold. Its equilibrium has variable inactivity squares and runs at a surprising 19,800 vibrations each hour. The completing is extremely itemized, with Geneva stripes, roundabout graining and pleasant slants. The rotor likewise shows extraordinary adornment. The galactic moon just requires a revision at regular intervals and 317 days.
A watch, for example, the Audemars Piguet Royal Oak Perpetual Calendar White Ceramic is plainly not intended to be traditionalist. Its value, its low accessibility, the promotion encompassing the model, the look, the intensity of the white ceramic case… All of this makes a watch that will be viewed as provocative and rich. Also, surmise what…? That’s precisely why I think it’s so attractive. It creates (positive or negative) emotions.
Price and availability
The Audemars Piguet Royal Oak Perpetual Calendar White Ceramic (reference 26579CB.OO.1225CB.01) is a store just version, not restricted fundamentally, yet delivered in low volumes. It won’t be not difficult to get your hands on one. It is estimated at CHF 94,300 (or EUR 95,300, USD 93,900), a similar cost as the black ceramic version.
More subtleties at www.audemarspiguet.com .